Happy Face Episodes 1 & 2 Review
Dennis Quaid's True Crime Series Made Me Feel Relaxed Enough Self-Awareness to Question the Genre
Can Melissa Moore, played by Annaleigh Ashford, end the traumatizing and game-playing pattern her father established in Happy Face? She seems unsure based on the first two episodes of the new true-crime TV series on Paramount+. Ashford and Dennis Quaid play her frightful father, the actual murderer, Keith Hunter Jesperson, in the series' lead roles. The way Happy Face heightens, fictionalizes, and mines Melissa Moore's life—who has been extensively discussed—for all the drama and mystery it can offer will be of interest to true-crime fans worldwide.
Because they naturally exploit the stories of people whose lives were upended, true crime media—both documentaries and fictionalizations—are hot spots for controversy. Happy Face, on the other hand, incorporates this viewpoint and informs viewers that the show does not wish to take advantage of anyone. The real Moore works as an executive producer, and based on her previous candid discussions of these incidents, I believe she is well aware of the negative effects of media attention. The true question, then, is how Happy Face will keep us guessing and interested.
Happy Face Responds to the True Crime Question
The actor is enjoying his role as the antagonist, and Quaid has the simple task of portraying the frightful, repulsive serial killer. On the other hand, Ashford's role as Melissa is difficult; by the end of episode one, she has reached her emotional breaking point, and by the end of episode two, she is prepared to make a difference. In addition to some other shocking revelations, the Happy Face premiere, "The Confession," plunges us straight into the narrative by giving us a glimpse of Melissa's typical family life and implying that she is keeping her light under a bushel.
Since Happy Face is based on true crime, it has a self-awareness that I find admirable; discussions are held regarding the implications of our culture's fixation with this. When Melissa's young daughter Hazel (Khiyla Aynne) encounters the world of true crime, she discovers a society that is all too eager to exploit her past and derive some sort of fulfillment from it. Happy Face, another series that will address generational trauma, neatly lays out the parallel experiences of Melissa, Hazel, and Jesperson. We don't yet know how well it will manage it.
I hope Happy Face doesn't waste Melissa's character because Ivy (Tamera Tomakili), the producer she works closely with, is a fascinating character in the show. She is already balancing being driven by a sincere desire to change things with not pushing Melissa too far for her own gain. Melissa's TV show, which is a thinly veiled Dr. Phil stand-in, is rife with manipulation and emotional exploitation. This is likely to be a major theme in Happy Face. Melissa may have inherited this talent, but she may make good use of it.
I wish Happy Face had gotten into gear a bit sooner, but by the end of episode two, "Killing Shame," the game is on and our main characters' needs and desires are clear. Happy Face falls short of the status quo, which was the series' goal. Happy Face goes above and beyond to let us know that there is still danger out there and that the stakes are higher than ever, especially since Jesperson is already behind bars and no longer involved in Melissa's life. I still don't think this is true.
Although Happy Face develops similarly to other crime dramas, it may still stand out.
The requirement that authors follow the real events can occasionally be the largest problem with true crime. I've only seen two episodes of Happy Face, so this isn't the case yet, but it will be interesting to see what Melissa and her family can expect from Happy Face. flashbacks to Melissa's previous outburst in "Killing Shame," which helps me understand her personality but could also work against her. It seems anxious that we won't be able to keep up with the series' efforts to catch us up on Melissa's past.
Happy Face is fairly heavy-handed with its foreshadowing and heavily relies on traditional mystery tropes, despite its best efforts to set itself apart from typical true crime fare. Undoubtedly, loud phone conversations on speaker, overt conversation, and a general lack of concern for safety will result in violence and destruction for all parties. Even though I am aware of what is going to happen, Happy Face makes me agree to follow this well-traveled route. These days, everyone enjoys true crime, so the purpose of mystery shows is to make sure we enjoy the ride rather than to surprise us.
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